Throughout the course of these MEDA classes, I have tried to work with different practices and mediums, not because I didn’t know what my practice is, but more because I wanted to try each medium out to the best of my ability. The downside to this which I have found to be the same problem each time I do this is that I’m jumping into the medium knowing nothing about it and trying to make something from the information and pieces that I have found during my research and testing phases. I find that this method isn’t the best when it comes to the final product, but I enjoy the challenge.Read More »
This week was a time for a final consultation with the tutors and a check-up on the ideas that you have towards presenting the final product. I am still wanting to work with and play with sounds or soundscapes in particular spaces and see If I can change the feeling and vibe of a space. This idea is quite challenging and is something that I have been thinking about for the last few weeks.
The consultation this week with the tutors gave me some more things to look at and think about for the project, especially in relation to how it will look as a finished product and what sounds that I want to showcase in my work. The question of whether or not my project will work with a narrative, be subverted, have closed of open sounds (being able to hear the outside sounds through the headphones or not), big or small sounds and how these connections will be made between the spaces and the sounds I am thinking about putting in them.
Taking elements from my research in these blog posts (1 & 2), I have come to the conclusion that playing with the elements of natural vs man-made and the idea of these being put in places they arent from would be an interesting concept to explore.
When discussing and brainstorming my ideas with my group some ideas and examples were pitched. Ideas that were suggested included showing the physicality of sound, so working with waveforms and the differences that are found between them in environments by using spectrograms (like Bernie Krause explored in his TEDTalk) or even using elements like water or rice to highlight these.
While researching the field of sound, I have come across a few of artists who have peaked my interest and had me thinking about my up and coming project for this semester. Artists who work in the field of sound have come up with a variety of different ways to showcase their talents and allow what they hear – be it minuscule or outright loud – to be explored in a way that engages audiences and encourages sounds to be head in a different light.
While researching artists and their practices I came across Leah Barclay who is an Australian sound artist, composer and researcher. She specialises in electroacoustic music, acoustic ecology and emerging fields of biology exploring environmental patterns and changes through sound.Read More »
There are a number of opportunities for people who are interested in pursuing the art of a sound/audio engineer. Someone who wants to work in the audio production industry has the chance to work in a highly technical or unusual industry. From film scores to virtual reality, sound production careers cross a wide variety of areas in the industry that rests at the heart of art, audience and it’s ever-changing technologies.Read More »
Sound art has undergone a transformation since the introduction of digital technology, and one theme that unites the contemporary understanding of field recording is listening and how listening can be successfully transmitted. Doing some research into the practice of recording sound, specifically field recording and sounds in digital and analogue art forms many artists and individuals appear. Everyone in this art form has different takes of the artistic practice of sound which is definitely seen through their work.